Then there are more abstract manifestations: whimsical, hulking fabric banners sport waxy appendages that reach out aggressively from the surface plane. Each artwork represents a page of the ledger, complete with “calendar girls” in the form of delicate, ghostly graphite renderings of aging men. The calendar pages take a range of forms, from recognizable grids with crossed-off days to months woven into pages taken from the artist's favorite books the days sit in the voids created when Greg Smith removed all non-BIP39 words from the text. Much of the work in Absent Word Double comprises a “calendar” for the year 2048.

Everywhere there is a mix of no-nonsense functionality and flouncy, patchy, pieced-together constructions full of artifice. Dish core invite announces - via a scrawled, clumsy whiteboard message - an earnest community meeting on Discord to distribute unclaimed exhibition assets. Throughout the exhibition, invitations to a range of DAOs are encoded carefully through BIP39 phrases, though the text is awkward and seems to reach for something more. Greg Smith's wabi-sabi aesthetic contrasts with his artwork's concrete functionality. Visceral chunks of wax punctuate cascading banners of synthetic fabric, reclaimed wood scraps are put to new purpose while bearing all the marks, holes, and cuts associated with past functions. No attempt is made to conceal the laborious nature of their making - hardware, power sources, and errant strands of fiber assert the hand-made and the ephemeral. Here in Absent Word Double, artist Greg Smith has cultivated an environment that subverts the hip, crisp, clean aesthetics associated with tech. The gears spin furiously and promise so much this project is both about how it breaks down, and how it can be used differently. There's potential, but I'm also deeply skeptical of the possibility of making a clean break.

Under the mountains of hype, people are serious about trying to do governance, social groups, and cities in a new way. I respect the urge in the crypto folks who, fed up with the garbage, attempt to start anew. Sometimes constraint is exactly what is required to slip the bonds. As such, Absent Word Double is inspired by and implicated in the crypto-utopian project, embodying its optimism, its delusionality, and its commitment to D.I.Y. The text gropes, but also concretizes: it contains coded messages that enable observant (or lucky) viewers access to digital wallets containing governance tokens to a range of DAOs (Decentralized Autonomous Organizations). As a result, textual musings in the objects and installations are necessarily ham-fisted as they consider human foibles and hopes amidst technological promise.

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